Episode 7 of WandaVision Had Some Rather Predominant Easter Eggs

Episode 7 of WandaVision Had Some Rather Predominant Easter Eggs

Spoilers prepare for “Breaking the Fourth Wall”, the seventh episode of WandaVision.


After a visually dazzling time out through the last seven decades of American tv, the overarching situation of Marvel Studios’ superhero sitcom WandaVision is at last starting up to reach collectively, with the revelation that nosy neighbor Agnes is if truth be told a witch named Agatha Harkness. Obviously, there are serene a couple of unanswered questions (love what on the planet Agatha’s game thought really is), but there are a couple of oblique comedian e book references and hidden runt print to mull over while we wait patiently for the following episode.

First off, that hexagonal motif used to be showcase all over once more, this time within the quilt on Wanda’s bed. Interestingly, the pillow Wanda used to be sleeping on used to be the completely one without the hexagon pattern, which indubitably seems to indicate that she is the completely one no longer beneath a spell.

When Wanda is making breakfast, the milk carton parts a form of used “missing” adverts, and while the shot is simply too blurry for the viewer so as to call the miniature one within the listing, it will most likely presumably well be interpreted as foreshadowing given that the episode ends with every Tommy and Billy nowhere to be found. No longer to yelp, it continues the ever-so-creepy habitual theme surrounding kids in Westview, first with the residents chanting “for the kids,” then Vision questioning where the full kids are, and at last Wanda’s tacit admission to Pietro that every kid in city has been asleep this total time.

And even earlier than the “Agatha All Alongside!” showcase, this episode is laying on the hints somewhat thick by reach of Agnes’ precise identification. Over once more, she’s carrying Agatha’s trademark crimson, and a throwaway line a couple of mole would possibly presumably well if truth be told be a reference to the thought that of a “witch’s mark,” a more or much less telltale signal that supposedly proved a particular person’s guilt throughout the witch trials. And if that wasn’t enough, it seems the exterior of Agnes’ residence is in general the residence from Bewitched.

Meanwhile, over at the circus, Darcy Lewis will get a nice rotund-circle 2d when she punches out the strongman—who eagle-eyed viewers would possibly presumably well acknowledge because the low SWORD agent who refused to receive Darcy her espresso reach lend a hand in episode 4. The circus setting furthermore entails a gargantuan signal that points the concern “idiot the guesser,” which is rarely any doubt what Marvel are at showcase doing on a weekly foundation.

As we plot closer to that ending, Wanda descends into the basement of Agnes’ residence: and it is right here that the factor ratio adjustments, demonstrating that this dungeon/temple/cave, with all of its noxious vines and magical objects, is 100 percent precise and no longer beneath the modify of the Hex. The fact that Monica opening the cellar door is furthermore the most fundamental focus of the prove’s first put up-credit ranking scene would possibly presumably well even be a ticket that this is our last foray into sitcom territory, and that the final two episodes will happen fully within the “precise world” of the MCU.

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