Goethe’s Colours: A Visible Catalogue

Goethe’s Colours: A Visible Catalogue

In a e book about the psychology of colours, which colors are mentioned and when? This straightforward question became directed in direction of Johann Wolfgang von Goethe’s 1810 e book, Thought of Colours. Goethe became German statesman and creator who wrote about his views on how colors are perceived by humans. While largely rejected by the scientific community, it became embraced by and influenced philosophers and artists.

Using the publicly on hand on-line version of the 1840 English translation from Project Gutenberg, every mention of coloration became highlighted and catalogued. Their usage ranged from the simplistic (“a mountainous purple image” and “again mixing with yellow”) to the more ornate (“the kind of hue equal in intensity to scarlet” and “golden in situation of fiery”). These names had been then grouped into 9 classic households of colours and assigned a coloration primarily based mostly fully on them: purple, orange, yellow, inexperienced, blue, purple, dark, grey, and white.

Example of a passage with highlighted words
Excerpt from page 340

Color timeline

To have faith the visual and interactive catalog, colors had been grouped by page as an instance at a look on which pages colors had been mentioned and how usually. Every square represents a page and every circle represents a coloration mentioned on that page. Pages with fewer colors are confirmed containing fewer greater circles and pages with more colors are confirmed containing many smaller circles.

Click pages to leer fashioned text with the colors in context.

Color names

Of the 95,000+ words spanning 471 pages, there had been perfect 1,851 mentions of colours by title (e.g. “purple” or “yellow,”) and perfect 191 routine names frail to reference these colors (e.g. “rose” or “yellow-inexperienced”). Since Goethe didn’t present visual examples of every, some ingenious license became taken to teach a palette. Robert Ridgway’s, Color Requirements and Color Nomenclature from 1912 became frail as a foundation for this palette by aligning Goethe’s descriptions to Ridgway’s names wherever that you just would possibly perhaps assume. A handful of names had been no longer translated from the authentic German text and remained in both German, Italian, or Latin. Google Translate became frail to approximate an ideal guess for the English an identical.

Click coloration groups to leer how usually every title became frail. Lag/pinch to zoom in.

Peep the scheme in which it became made »

Uncover the poster

Repeat poster »

Wall poster of Goethe’s Colors

Published January 12, 2020


More work


« Motivate to work

Be taught More

Leave a Reply

Your email address will not be published. Required fields are marked *